
Easter in Amfissa is celebrated according to local Roumeli traditions and customs. On Easter Sunday the residents roast lambs and “kokoretsi” in the streets, offering red wine and tasty tidbits to all passers-by. Amfissa is also renowned for its marvellous olives. But what attracts the largest stream of tourists ot the area is nearby Delphi (Delfi), the site of the famous Oracle of Apollo on the slopes of Mt. Parnassos.
The magnificent landscape chosen by the ancient Greeks for their sanctuary, framed by the Phaedriades rocks (the twin “Shining Rocks” that tower above the Oracle) with the Gulf of Itea gleaming in the background, is truly unique.

Delphi is also home to the European Cultural Center, an international organization that sponsors cultural conferences and symposia.
On the road to Itea, it is worth stopping for a while at Chrisso, a charming village filled with plane trees and fountains.
Itea lies at the edge of the Sacred Valley of Delphi. It takes its name from the numerous willow trees (ities) that used to reach as far as the shore. A seaside market town, Itea is slowly evolving into an important commercial and tourist center. It is hard to pass by the nearby beaches of Trocadero and Miami, or the beach of Itea, without taking a dip.
Very close to Itea is the village of Kira, the flourishing port of Delphi in antiquity. Nowadays its long stretch of beach attracts many bathers.

Another charming fishing village west of Galaxidi is Eratini. Nearby is the site of ancient Tolophon.
Continuing west, the seaside settlements of Aghios Nikolaos, Spilia and Glifada, as well as the islands of Trizonia, Aghios Ioannis and Prassoudi opposite are ideal for bathing and fishing. If you’re seeking peace and quiet, we suggest you visit the mountain villages of Eptalofos or Ano Agoriani, a starting point for the Parnassos ski center, Lilea, Polidrossos and Gravia surrounded by fir trees and streams. At Aghia Efthimia near Amfissa, the delicious wine will help you to forget your worries. West of Amfissa lies the interesting monastery of the Panayia Koutsoufou in the village of Amigdalia, while somewhat cut off from the rest of the prefecture is Lidoriki, a town on the slopes of Mt. Giona, not far from the Mornos dam and reservoir.
Delphi

The Temple of Apollo: The Sacred Way runs along the protective wall of the platform of the Temple of Apollo, which in the ancient times covered an Ionic row of columns made of Parian marble, financed by the Athenians after the Persian wars had ended. It is a petipteral temple of Doric order, 60.32 x 23.82 meters, with poros stone pillars plated with marblestone, 6 on the small sides and 15 on the large ones. The cella had two pillars, both on the porch as well as on the opisthodrome, whereas inside there was the adyton, the most sacred of all spaces that no one could enter, since it contained the omphalos, the centre of the world. The pillars architraves were adorned with the shields of Persians from the battle at Plataeae and of the Gauls of the third century BC. The roof was covered with marble tiles. It is believed that there was an underground space where only the pythian soothsayer could enter, in order to obtain the oracles from the gods. The side of the platform close to the mountain, on the temple's right side, suffered serious landslides. During one of them, probably in 373 BC, the bronze chariot dedicated in 474 BC by the tyrant of Syracuse Polyzalos was buried. The statue of the Charioteer, in natural dimensions, is one of the most famous masterpieces of archaic art and was brought to light during excavations; today, it adorns the Delphi Museum.
The Theatre: A small scale connected this platform with the theatre, which was built in the fourth century BC and was restored during the Hellenistic and the Roman period. A terrace wall called Ischegaon from the verb ischo which means "to retain the earth" supported the cavea on the hillside. The cavea consisted of 35 rows of seats and had a capacity of 5000 spectators. One can still see the cobblestone orchestra and the foundations of the stage, adorned with a marble frieze depicting the Labours of Hercules, today kept in the Museum. Above the sacred yard a clear path leads to a small valley where the stadium is. A part of it was built during the fifth century BC, but it was subsequently restored several times. On the north side, towards the mountain, there are 12 rows of columns carved in the rock. On the opposite side, another 6 rows stand upon earlier foundations. In this stadium there took place every four years the Pythian Games, which included musical and theatrical competitions, held at the theatre, as well as chariot races, held at the valley. In 528, right after the sacred war, the Pythian Games were reorganized with a new set of rules. Thereafter, they took place more often and went on until the end of antiquity.
Galaxidi
During the period of the secret movement of Filiki Society, the marines from Galaxidi were in constant contact through the

The privileged situation of Galaxidi was mainly because of:
The nautical growth of the city and the special nautical abilities of its people who came in contact with all the known world.
The special attachment and favor of the first Soultana (Valide Hanoum) to whom the captains of Galaxidi were offering gifts in every passage from Constantinopole.
The friendship and protection of Ali Pasha of Ioannina who had in his court a lot of captains from Galaxidi.
The reasons which influenced the people of Galaxidi to contribute to the liberation war of 1821 were national,moral and psychological. They first joined forces with people from other cities of Roumeli in Messologgi and later in Hydra.On March 26, 1821 they declared the start of the war (about 1400 men) with Ioannis Metropoulos as their leader in the location of the present church of Saint John Prodromos. In the neighboring city of Saint Efthymia they joined forces with Panourgias and his men and moved to Salona in order to liberate its castle. Among them was Ioannis Karalivanos and on the 10th of April 1821 the castle was conquered by this group of fighters from Galaxidi as well as the whole historic city of Salona. It was the first turkish fort which fell in the hands of Greeks.

The people of Galaxidi went on to Nafpaktos which they surrounded. But personal interests and passions among the rulers caused the murder of Ioannis Metropoulos at the age of 41 in his sleep.His death not only created a lot of sorrow among his followers, but also was the cause of their leaving the city of Nafpaktos. The Turks then took advantage and burned the city and all the ships.
Galaxidi as a marine center had also started the war in the sea.In their ships, captains from Galaxidi raised the local liberation flag in black and white showing the eagle (Greek nation) attacking the dragon (Ottoman empire). With all their fleet they left the harbour with destination to Nafpaktos and Patra to cut off the connectivity of Turks from Roumeli and Peloponnese.
The contribution of Galaxidi from land and sea during the liberation war was the cause of the decline of the city which sacrificed itself during that holy war of the nation.
The cultural contributon of Galaxidi was big as well. Among the three big newspapers in Roumeli was that of Galaxidi.The other two were the Aitoliki of Messologgi and Acheloos of Agrinio.
The people of Galaxidi continued their fight by organizing a small fleet before the fleets of Hydra and Spetses come to existence.The leader was Constantin Dedousis. Later on the joined fleets of Hydra, Galaxidi and Spetses surrounded from the sea the city of Nafpaktos and prevented the contact of the Turks from the sea. The ships of Hydra and Spetses at some point left and the fleet of Galaxidi remained to continue with Agamemnon, the ship of Bouboulina, which left as well after a while for Spetses. The Turks then decided that it was time to get rid of Galaxidi since it was a major threat in the area of Corinthia-Nafpaktos-Patra. The Turk-egyptian fleet with the Egyptian Ismael Gibraltar as their leader left the harbour of Patra and went to Galaxidi on September 22, 1821.

However,after a few months of its destruction Galaxidi managed to rebuild its shipyards and made its comeback as fighters in the Corinthian sea against the Turks.
In the land now,organized troops of Kioutachis came on to Messologgi destroying everything which came in their way.They passed by Galaxidi and Salona. Again Imbraem left Patra and came to the sea of Galaxidi.This time the inhabitants had time to leave the city and Imbraem only captured 30 small ships.
The third time the scheme of the Turks succeded and Galaxidi was completely destroyed.
Many historians (mainly from Peloponnese) hid the historical facts about Galaxidi and presented only those about Peloponnese. In the national archives there are two documents from Galaxidi which describe the action of the historic city of Galaxidi. After the liberation of the new Greek state, a commitee of nautical people was formed with Andreas Miaoulis as president.This commitee decided to honor the marine warriors of 1821. Among them were 11 from Galaxidi.
In 1860, Galaxidi managed to have its shipyards in operation again and, at the same time, they formed 3 nautical insurance companies with founders and members responsible to pay in case of a ship damage of another member depending on the proportion of contribution which was based on the ship's value.
It was an ideal insurance which even astonished the greater at the time insurance company:LLoyd's.
In 1892 the growth reaches its height with 550 ships sailing in the seas and continuing Galaxidi's nautical presence. Those 550 ships were mainly owned by the families of Levantis, Kammenos, Petradzas, Chardavellas, Metropoulos and Vlamis.
However during the last decade of the 19th century the Galaxidi fleet starts falling behind. Steam replaces sails but the Galaxidi fleet does not follow.
Galaxidi is considered the second nautical center after Syros.It had a school of captains which was in operation before those of Hydra and Aspropyrgos.